Helen Ennis, ‘Aids to survival’ in Lee Kinsella, ed., Miriam Stannage: Time Framed, UWA Publishing, Perth, 2017
Anthea Callen, The Work of Art: Plein Air Painting and Artistic Identity in Nineteenth-Century France, Reaktion Books, London, 2015
Chaitanya Sambrani, ‘The Medea Project and Beyond’ in Nalini Malani: You Can’t Keep Acid in a Paper Bag, 1969-2014, Kiran Nadar Museum of Art, New Delhi, 2015
Helen Ennis, Reveries: Photography and Mortality, National Portrait Gallery, Canberra, 2007
Helen Ennis, ‘'Unsettling: the photographic work of Sue Ford and Anne Ferran’ in Marsha Meskimmon and Marion Arnold, eds., Home/Land, Liverpool University Press, Liverpool, 2016
Helen Ennis, ‘White goods, dark knowing’, in Hannah Matthews, ed., Derek Kreckler: Accident and Process, Perimeter Books, 2015
Chaitanya Sambrani, 'Art in Baroda: Provincial Location, Cosmopolitan Aspiration' in Baroda: A Cosmopolitan Provenance in Transition edited by Priya Maholay-Jaradi, Bombay: Marg Publications, 2015
Helen Ennis, ‘The State of Photography’  in Michelle Hetherington, ed., Glorious Days: Australia 1913, National Museum of Australia, Canberra, 2013
David Hansen, ‘Catching the jellyfish: presence and absence in the work of Jan Senbergs’ in Elena Taylor, Jan Senbergs, National Gallery of Victoria, 2016
David Hansen, ‘The Folding Stuff’ in Linda Michael, ed., Fiona Hall: Wrong Way Time, Australia Council for the Arts in association with Piper Press, NSW, 2015
Chaitanya Sambrani, ‘Of Bones and Salt: Jitish Kallat’s Public Notice 2’ in Suhanya Raffel, ed., Jitish Kallat: Public Notice 2, Art Gallery of New South Wales, Sydney, 2015

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