CAHAT - Past events

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25
Jul
2013

Fringe Forum: Caroline Earley & Kate Walker

Art forum

Caroline Earley’s work explores the physicality of form and the ways in which objects occupy and conform to space, gravity and other objects. She utilizes the shifting interplay of form, appendage and surface to make objects, which draw on her interests in science, politics and cultural issues.…

24
Jul
2013

eX de Medici:

Art forum

Cold Blooded - Drill Hall Gallery floor talk with eX de Medici, Dr Jenny McFarlane and Tony Oates In a city which lives and breathes power, no one has explored the politics of power with such steely intelligence and analytical focus as eX de Medici. Seducing us with her stunning technical…

11
Jul
2013

Olive Cotton

Artist talk

Helen Ennis to deliver talk at National Library of Australia Join Helen Ennis, Associate Professor at ANU School of Art, who will discuss her new research into the life and work of Olive Cotton, one of Australia’s most celebrated photographers. Helen Ennis is the current Australian Book Review…

04
Jul
2013

2/2013: VISUAL ARTS GRADUATE SEASON

Gallery

Ursula Frederick Doctor of Philosophy Art Theory, Photograohy and Media Arts

25
Jun
2013

Glorious Days lecture series: Helen Ennis

Artist talk

At National Museum of Australia Inspired by the Glorious Days: Australia 1913 exhibition, this lecture explores what was happening in Australia 100 years ago. Join photographic curator, historian and author Helen Ennis as she discusses the rise of photography in 1913 and its use by professionals,…

30
May
2013

Public Lecture: Michael M. Fried

Event

“Orientation in Viewing: The Art of Caspar David Friedrich." ANU School of Art is proud to present in collaboration with the National Gallery of Australia and the Power Institute for Art and Visual Culture, University of Sydney, a public lecture by Michael Fried “Orientation in Viewing: The Art of…

23
May
2013

Fringe Forum: Robert Guth

Art forum

Robert Guth is best known for two things, firstly his ability to bake bread and secondly for his use of it as an integral part of participatory artworks (particularly swapping it for stuff). These works are guided by three underlying rules. - Food will not be used symbolically. Food will feed…