Bamford, R, McArthur I et al (eds) 2018. Investigating the visual as a transformative pedagogy in the Asia Region Illinois: Common Ground Publishing doi:10.18848/978-1-86335-027-3/CGP.

Burchmore, A 2020. “‘Splendid Deformities’: An emancipatory critique of cultural homogeneity in Sin-ying Ho’s deformed ceramics”. View: Theories and Practices of Visual Culture 24.

Burchmore, A 2019. “La maladie de porcelaine: Liu Jianhua’s Regular/Fragile (2007) at Oxburgh Hall and the history of massed porcelain display in English aristocratic interiors”. Oxford Art Journal 42, no. 3 pp. 253-81.

Burchmore, A 2018. “Drifting through the Porcelain Capital: Art residencies and the enforced continuity of an illustrious past in Jingdezhen, China”. Kunstlicht 39, no. 2 pp. 39-49.

Burchmore, A 2017. “Negotiating ‘Chinese-Australian’ Identity: Ah Xian’s Dr John Yu (2004) and his China China series (1998-2004)”. Australian and New Zealand Journal of Art 17, no. 1 pp. 33-53.

Galloway, C 2020, ‘“Veronica Gritsenko – Burmese lacquer master” Journal of the Asian Art Society of Australia, vol.26, no.1 March 2020, pp.

Galloway, C and Chaw Chaw Sein (eds) 2019. Managing Challenges During Myanmar’s Transition Yangon: University of Yangon (conference proceedings)

Galloway, C & Coppel, N 2019, 'Pictures of Transition: Contemporary paintings from Myanmar'. Canberra: Australian National University School of Art and Design Gallery (exhibition catalogue)

Galloway, C 2019, 'The Way We Wear: Contemporary Wearables from the ANU School of Art & Design'. Canberra: Australian National University School of Art and Design (exhibition catalogue)

Galloway, C 2018, 'The Mural Paintings of Phaya-thon-zu', in Kim Dong Min (ed.), Golden Land, Myanmar. The Murals of Phaya-Thon-Zu Temple, Korea Cultural Heritage Foundation, Seoul, South Korea, pp. 165-192.

Galloway, C 2018, 'Arts', in (ed.), Routledge Handbook of Contemporary Myanmar, Routledge, Oxon, pp. 136-145.

Kent, E 2020, ‘Critical Recycling: Post-Consumer Waste as Medium and Meaning in Contemporary Indonesian Art’ in Southeast of Now, Volume 4 no. 1 (March 2020): 73-98

Kent, E 2019, ‘Contemporary Worlds: Indonesia and the “great debate”’ in d ɪˈv a n | A Journal of Accounts, No. 7 (December 2019): 130-137

Kent, E 2019, ‘Looking for Indonesia in Contemporary Art.’ In Contemporary Worlds: Indonesia edited by Carol Cains and Jaklyn Babington, 22-30. Canberra: National Gallery of Australia, 2019 (catalogue, bilingual publication)

Kent, E 2019, ‘Traditions of Dissent: Contemporary “Artivism” in Indonesia.’ The Asian Art Society of Australia Review 28 no. 2 (June 2019): 16-17

Kent, E 2019, ‘Visual Arts and Artists’ for the section: ‘Southeast Asia, East Asia, Australia and the Pacific (Indonesia)’ in Encyclopedia of Women in Islamic Cultures, Brill, Leiden, 2019 edition

Kent, E 2017, ‘Istirahatlah Kata-Kata’: young audiences discover a dissident poet Feb 21, 2017, Indonesia at Melbourne (University of Melbourne online journal)

Sambrani, C 2020 ‘The Ramayana in Indian Painting: Princely Adventures and Other Stories’, TAASA Review, Vol 29, Issue 2, June 2020.

Sambrani, C 2020, 'A Playground At the Earth's Middle', Art Monthly Australia (AMA), vol. 321, pp. 50-51.

Sambrani, C 2019, Savanhdary Vongpoothorn: All That Arises, ANU Drill Hall Gallery Publishing, Canberra, Australia.

Sambrani, C 2019, "Archipelagic Cosmopolitanism: A Prehistory of Contemporary Art in Indonesia," in Contemporary Worlds: Indonesia, National Gallery of Australia, Canberra.

Sambrani, C 2019, "Shilpa Gupta: Poetry at the Borderlines," in Victoria Lynn, ed., The Tangible Trace, TarraWarra Museum of Art, Healesville, VIC

Sambrani, C, with contributions by Kupfer, M, Parsons, C, & Zitzewitz, K, 2019, At Home in the World: the Art and Life of Gulammohammed Sheikh, Tulika Books in Association with Vadehra Art Gallery, New Delhi. http://cup.columbia.edu/book/at-home-in-the-world/9788193926901

Sambrani, C 2019, A conscience in pursuit of an elusive revolution, Art India, Vol XXII, Issue IV, January 2019, pp. 100-103.

Sambrani, C 2018, "The Basham Project At The Australian National University" TAASA Review, Vol. 24, Issue 4, December 2018.

Sambrani, C 2017, A home in the clouds (with mother, father and other beings), Art India, Vol XXI Issue II, pp. 78-79.

Sambrani, C 2017, 'Husain's Raj: Visions of Empire and Nation, by Sumathi Ramaswamy', South Asia: Journal of South Asian Studies, vol. 40, no. 4, pp. 912-913.

Shim, Soo-Min. “Club Ate: Projecting Future Folklores on Australia’s National Gallery” Ocula Magazine, 13 March 2020, https://ocula.com/magazine/insights/club-ate-projecting-future-folklores-on-austr/

 

Shim, Soo-Min. “Japan Supernatural” Artist Profile Issue 50 (2020): http://www.artistprofile.com.au/japan-supernatural/